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Object Timeline
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Drawing, Josephine Baker / Columbia
This is a Drawing. It was designed by Paul Colin.
This object is not part of the Cooper Hewitt's permanent collection. It was able to spend time at the museum on loan from The Collection of Richard H. Driehaus, Chicago as part of The Jazz Age: American Style in the 1920s.
Parisian artist Paul Colin perfectly captured the rhythm of Josephine Baker and her fellow dancers in posters for La Revue Nègre at the Theatre Champs-Élysèes as well as for Columbia Records, as seen in this drawing. His work helped to create a sensation around the singer, whose career blossomed after her arrival in Paris in 1925.
It is credited The Collection of Richard H. Driehaus, Chicago.
- Blues
- oil on canvas.
- Collection of Mara Motley, MD, and Valerie Gerrard Browne.
- 57.2016.1
- Vase, Rhythm
- glass.
- Lent by The Cleveland Museum of Art, Dudley P. Allen Fund, 1938.383.
- 48.2016.7
- Drawing, Jazz Dancers
- gouache, crayon on paper.
- The Collection of Richard H. Driehaus, Chicago.
- 49.2016.2
Our curators have highlighted 3 objects that are related to this one.
- Record Cover, Persuasive Percussion
- offset lithograph on white wove paper, gate-fold cardboard, black vinyl 33....
- Gift of Mathew Weaver in honor of Lenora J. and Robert J. Weaver.
- 2009-44-1-a/d
- Necklaces And Bracelets, Giraffe
- red and black lacquer and oréum.
- Lent by Siegelson, New York.
- 61.2016.5a/c
- Two Necklaces And Two Bracelets, Giraffe
- blue and black lacquer and oréum (gold alloy).
- Lent by Siegelson, New York.
- 61.2016.9a/d
Its dimensions are
Framed H x W x D: 111.8 × 82.6 × 3.8 cm (44 in. × 32 1/2 in. × 1 1/2 in.)
It is signed
lower left
"Bye Bye Blackbird," Josephine Baker (1927)
Josephine Baker had modest success in New York, but enjoyed enormous popularity and prosperity in France with La Revue Nègre and La Folie du Jour at the Follies-Bergère Theater. This recording of...
https://archive.org/details/JosephineBaker135Songs/Josephine+Baker+-+Bye+Bye+Blackbird+1927.mp3
This object was previously on display as a part of the exhibition The Jazz Age: American Style in the 1920s.
