There is one other image of this object. See our image rights statement.
Object Timeline
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1969 |
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1999 |
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2015 |
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2017 |
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2018 |
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2025 |
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Print, "black lines on blue lines", Plate 17, "Color/Moire" Portfolio
This is a Print. It is dated 1969 and we acquired it in 1999. Its medium is screenprint on heavy off-white wove paper. It is a part of the Drawings, Prints, and Graphic Design department.
This portfolio by Albert Gregory explores the effects of color and pattern interactions. Like Josef Albers, Gregory renders the same design—in this case, concentric circles made of radiating lines—in different colorways, demonstrating how color interactions change the perception of the same form. In the second group of plates, the two images are printed slightly off-register to create the rippled pattern effect known as moiré.
This object was
donated by
Tamar Cohen.
It is credited Gift of Tamar Cohen.
- Sidewall, Ziggurat
- screen-printed on paper.
- Gift of Arthur Sanderson & Sons, Ltd..
- 1970-1-6
- Textile (France)
- silk.
- Anonymous bequest in memory of Albert and Rebecca Elsberg.
- 1938-82-52-c
- Textile (France)
- silk.
- Anonymous bequest in memory of Albert and Rebecca Elsberg.
- 1938-82-52-e
Our curators have highlighted 2 objects that are related to this one.
- Textile, Moiré 3
- acrylic on cotton canvas.
- Gift of Tillett and Rauscher, Inc..
- 2011-33-1
- Waistcoat (probably Italy)
- silk, metal-wrapped threads with silk core, metallic sequins.
- Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma....
- 1962-54-3-a,b
Its dimensions are
H x W: 71.1 × 71.1 cm (28 × 28 in.)
Cite this object as
Print, "black lines on blue lines", Plate 17, "Color/Moire" Portfolio; screenprint on heavy off-white wove paper; H x W: 71.1 × 71.1 cm (28 × 28 in.); Gift of Tamar Cohen; 1999-6-6-20
This object was previously on display as a part of the exhibition Saturated: The Allure and Science of Color.
