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Hall Stand (England)
This is a Hall stand. It was designed by Christopher Dresser and manufactured by Coalbrookdale Company. It is dated ca. 1875 and we acquired it in 1989. Its medium is cast iron, marble, glass, brass. It is a part of the Product Design and Decorative Arts department.
Design Doctor
The phantasmal world of Dr. Christopher Dresser’s ornamentation delights both the eye and the imagination. Dating from 1875, this iron hallstand features all the quintessential elements of Dr. Dresser’s highly stylized ornament. The “spikey” floral and figural motifs—also recognizable in this illustration for two grotesque dado rails—and his angular interlaced arabesques are frequently used in his ornament. The cast iron scrollwork begins near the bottom of the hallstand’s simple legs, continuing upward toward its cornices, where two “spikey” mythical beasts rest. The hexagonal framed mirror is topped with the head of a turkey and at the bottom reads “Coalbrookdale.”
Manufactured by Coalbrookdale Co. located at the Coalbrookdale iron foundry at Ironbridge Gorge in Telford, Shropshire, just northwest of Birmingham, England, the hallstand is representative of decorative iron furnishings of the nineteenth century. Today Ironbridge Gorge is a UNESCO World Heritage site and is credited as the birthplace of the Industrial Revolution. Coalbrookdale Co. began successfully manufacturing domestic furnishings early in the nineteenth century, carrying through the mid-century, and presenting a stunning display at the Great Exhibition in 1851. Dr. Dresser’s designs for Coalbrookdale Co. happily wed the first industrial designer (as he is often credited) with the birthplace of industrial manufacturing.
Being partial to the machine, unlike Ruskin and Morris, Dr. Dresser created designs for wallpaper, ceramics, and furniture. His ornamental style is notable for being heavily influenced by Asian and Middle Eastern art. After visiting Japan in 1876-77, he took a keen interest in form over ornament but never completely abandoned his stylized and imaginative decoration. In 1868 Dr. Dresser turned his full attention to design and writing, after having pursued botany for several years. He had earned an honorary doctorate in botany from the University of Jena in 1859 that afforded him the doctoral title that he used throughout his career. [1] Dr. Dresser’s versatility foreshadows the industrial design profession of the twentieth century, and his designs—such as this toast rack designed in 1881—prefigure the modernist aesthetic in everyday household objects.
It is credited Museum purchase from Walter R. Scholz Memorial and Decorative Arts Association Acquisition Funds.
- Three-Arm Candelabrum Candelabrum
- silver.
- Bequest of Mrs. John Innes Kane.
- 1926-37-130-a/h
- Coat Stand
- nickel-plated stainless steel.
- Courtesy of Thom Browne.
- 74.2015.3
- Drawing, Dining Room Wall Elevation, Agnes Miles Carpenter Residence, 950...
- graphite, blue crayon on tracing paper.
- Gift of the Estate of Agnes M. Carpenter.
- 1958-133-2
Our curators have highlighted 1 object that are related to this one.
- Kettle And Stand (England)
- copper, brass, ebony (kettle), wrought iron (stand).
- Museum purchase from the Decorative Arts Acquisition Fund.
- 1990-167-1-a/d
Its dimensions are
H x W x D: 220 x 136 x 47 cm (86 5/8 x 53 9/16 x 18 1/2in.)
Cite this object as
Hall Stand (England); Designed by Christopher Dresser (Scottish, 1834 – 1904); Manufactured by Coalbrookdale Company; cast iron, marble, glass, brass; H x W x D: 220 x 136 x 47 cm (86 5/8 x 53 9/16 x 18 1/2in.); Museum purchase from Walter R. Scholz Memorial and Decorative Arts Association Acquisition Funds; 1989-64-1
This object was previously on display as a part of the exhibitions Shock of the Old: Christopher Dresser and The Cooper-Hewitt Collections: A Design Resource.