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Charger, from the Swan Service (Schwanenservice) Charger
This is a Charger. It was modeled by Johann Joachim Kändler and with contribution from Lachapelle and manufactured by Meissen Porcelain Manufactory and made by Meissen Porcelain Manufactory and made for (as the client) Count Henrich Graf Brühl. It is dated ca. 1738 and we acquired it in 1950. Its medium is hard paste porcelain, vitreous enamel, gold. It is a part of the Product Design and Decorative Arts department.
Diplomatic Swans
This charger belonged to the Meissen Swan Service, one of the largest and most magnificent porcelain dinner services ever created. Produced at the Dresden manufactory between the years of 1737 and 1743, the service comprised of over 2,000 unique pieces; its splendor is illustrative of both the artistic genius of the factory’s master modeler, Johann Joachim Kändler, as well as the ambitions of its director, Heinrich Count von Brühl, for whom the service was commissioned.
The plate displays the coat-of-arms of Heinrich Count von Brühl on the occasion of his wedding in 1731. At this time, the fashion for ornately painted heraldic porcelain was in decline, as sculptural relief modeling grew in popularity. The Brühl arms are relatively small and marginalized; the plate’s primary decoration is the beautifully modeled central motif of two swans floating serenely on rippling water amidst rushes and reeds. They are accompanied by a pair of heron, one of which is in flight. The sky spirals out across the cavetto, presenting a shimmering sunburst. The entire service is a tour de force in porcelain modeling, from the low relief decoration of its plates, to the full sculptural glory of its centerpieces. J.J. Kändler was skillful in exploiting the sculptural potential of porcelain; he is considered one of the greatest modelers in ceramic history.
The aquatic theme of the Swan Service is a play on the name Brühl, which means a ‘marshy ground’; depicted is a delightful selection of marine flora and fauna: snail, shells, oyster, dolphins, and coral; as well as mythological figures associated with water: Neptune, sirens, mermaids and more. In preparation for his work, Kändler spent several days making careful drawings of shells in the natural history collections of the Royal Palace. The era’s growing interest in naturalism and organic forms, a trend that would come to characterize the Rococo, is seen emerging in the service.
The sheer extravagance and unprecedented scale of the Swan Service is a symptomatic of von Brühl’s love of ostentation. As director of the factory, it was his privilege to commission whatever porcelain he wished, free of charge. With the Meissen Swan Service on his table, Count von Brühl must have hosted incredible feasts; the extravagance of his table service would have been matched by extraordinary delicacies. It is possible that with the Swan Service, the splendour of von Brühl’s table might have exceeded the King’s.
This object was featured in our Object of the Week series in a post titled Diplomatic Swans.
It is credited Museum purchase through gift of Commander Henry H. Gorringe.
Its dimensions are
H x diam.: 6.6 x 38.2 cm (2 5/8 x 15 1/16 in.)
It has the following markings
Underside: [1] double crossed swords, painted in underglaze blue (Meissen Porcelain Manufactory mark) [2] cross, incised underglaze [3] four dots arranged in four-leaf clover shape, impressed underglaze [4] "L70.10.21", written on label, applied to underside [5] "TEMPORARY LOAN / THE BROOKLYN MUSEUM / TL.70.265 / FROM: COOPER-HEWITT / DATE: June 3, 1970", printed on label
It is signed
Unsigned
It is inscribed
Uninscribed
Cite this object as
Charger, from the Swan Service (Schwanenservice) Charger; With contribution from Lachapelle (French, active 18th century); Modeled by Johann Joachim Kändler (German, 1706–1775); Made by Meissen Porcelain Manufactory (Germany); Client: Count Henrich Graf Brühl (German, 1700 - 1763); Germany; hard paste porcelain, vitreous enamel, gold; H x diam.: 6.6 x 38.2 cm (2 5/8 x 15 1/16 in.); Museum purchase through gift of Commander Henry H. Gorringe; 1950-130-1
This object was previously on display as a part of the exhibition Rococo: The Continuing Curve 1730-2008.